Celtic Connections

The Duhks with Alison Brown

Old Fruitmarket, Glasgow

Rob Adams

FOUR STARS

The banjo fought back with this concert. The butt of many a joke, a few of which were shared here, in the right hands the banjo can be as eloquent an instrument as any Stradivarius or Steinway. It can also kick ass, as Leonard Podolak of the Duhks illustrated.

For their final number the Duhks reintroduced Alison Brown, whose band had earlier defined the term well-tempered. Brown’s been coming to Glasgow since the days of Mayfest and her blend of mellow, bluegrass-soaked jazz – or it might be the other way round – has a cosy familiarity.

That doesn’t mean we’ve heard it all before, though, and if her take on Cyndi Lauper’s Time After Time suggested late-period Miles Davis hanging out with the Nashville cats, then her romp through The Mason’s Apron, following brilliantly expressive fiddle and piano breaks, took even her supreme banjo picking into new realms beyond fluency, with blue notes adding grit to her startling technical proficiency.

The Duhks’ music has bluegrass and other vernacular musical roots but carries an attitude and excitement that might require a genre all to itself: gospel grungegrass. Podolak calls it Jewgrass and there was a mighty klezmer presence here and there as well as God-fearin’ hollerin’ from Podolak’s fellow founder member, Jessee Havey.

Colin Savoie-Levac’s bass boost-enhanced ‘acoustic’ guitar playing creates quite an electric storm, pelted along by the formidable Kevin Garcia’s hand percussion, kick drum and cymbal splashes but a particular highlight of a thoroughly enjoyable set was the natural energy and sheer musicality that Podolak generated in a hamboning (super-coordinated thigh slapping) session with the band’s dancer.